Stil Runnin Album Release Show
Running the Record
On February 13, Globe Hall hosted the kind of show that reminds you why local lineups matter. The night centered around the album release for STIL RUNNIN’, but the entire bill made it feel like a real scene moment. Every band showed up, every set added something different, and the room stayed locked in from start to finish.
Kicking things off was Stationery Shop, who set the tone with bright, jangly indie rock. Their set had that scrappy charm — playful but catchy enough to have their songs stuck on repeat in your head. Beyond the music, the band also shared that merch proceeds from the night were being donated to an organization supporting immigrant communities, which gave the set a real sense of purpose. It was a reminder that local scenes aren’t just about the music — they’re about showing up for each other too.
Next up, Gangstead shifted the room’s energy into something heavier. Their sound leaned into gritty riffs with drums that felt designed to land square in your chest. I’ll admit I went in not totally sure what to expect, but they ended up being one of the night’s biggest standouts. Their set felt focused and confident, and the crowd responded.
Then came The Pretty Shabbies, who might have delivered the most purely fun set of the night. Their set had that cool, hazy feel that pulls you in — vibey but intentional. Their sound leaned into psych-tinged rock and swirling vintage textures. One small detail that perfectly captured their spirit: the keyboard was covered in stickers, including one that proudly read “This Machine Kills Fascists.” It was one of those little visual moments that stuck with you and summed up the band’s personality in the best way.
Finally, the reason everyone packed into Globe Hall in the first place: STIL RUNNIN’ celebrating their album release the only way that made sense — by running the record straight through.
Hearing the songs in order gave the set a real sense of movement, with each track building on the last and showing off different sides of the band’s sound.The album leans into riff-forward rock that feels both classic and fresh. Some songs leaned heavier and punchier, while others opened up into more melodic moments, giving the album a balance that works just as well live as it does on record.
And then there’s the stage presence. From the second they stepped out, STIL RUNNIN’ commanded the room with the kind of raw, magnetic energy that pulls everyone’s attention forward. It honestly felt reminiscent of the chaotic, electric presence I've only seen a few artists, like YUNGBLUD, bring to a stage — real rockstar energy. For a band playing a venue the size of Globe Hall, the performance felt bigger than the room itself, and it’s hard to imagine STIL RUNNIN’ staying a small-venue band for much longer.
One of the most exciting moments of the night though was when they gave the crowd a glimpse of what’s coming next. The band introduced a couple of brand-new tracks from their next album, joking that this one “won’t take as long.” The unreleased material felt like a natural step forward — the same gritty guitar backbone and driving rhythm section, but with an even sharper sense of confidence. Debuting new music in the middle of an album release set could have felt risky, but instead it showed that the band isn’t slowing down.
Nights like this are exactly why the local music scene matters. Four bands, one packed room, and a crowd that stayed engaged from the first note to the last. By the time STIL RUNNIN’ closed the night, Globe Hall felt electric. The album release marked an important moment for the band, but the performance made something else clear too: STIL RUNNIN’ is building serious momentum and it’s probably only a matter of time before rooms like this start feeling too small.